Charge

I have retreated, and now I am ready to charge.

The end of this semester was quite abstract. I worked extremely hard on my studio final, completing several plates of highly detailed black and white pencil drawings. My presentation was a success; the architecture it conveyed was only marginally successful. My reviewers variously had little to say on the subject, or they told me that it was “unconvincing,” “too polite,” and looked residential on one side and like a library or airport on the other side. My professor, however, seemed happy with it, and told me to be a little less self critical, so maybe it’s not so bad. I believe that the work will be displayed in the Hearth (the little cafe in the middle of our school) at the beginning of next semester, which is actually very flattering.

After the studio review, everything else I had to do seemed strangely removed. I think I was reeling a bit from the criticism at the review – I’ve become so used to the Oregon style of review that even though I was excited to get a critical review, I was almost completely unprepared for it. So, I wrapped up the Kahn seminar, the seminar on urban architectural ecology, and my structures class. I have to say, smashing the two foot tall balsa wood tower that Sarah and I tied laboriously together with hemp rope was the highlight of the week. All in all, though, even with the low level of energy I had at that point, and the horrible cough I’d picked up, the end of the term was pretty satisfying.

And this weekend, after I finally finished cleaning out my studio, I turned right around and headed to the retreat. We went up to Odell Lake, and in the lap of luxury we played a lot of games to “get to know each other” and then we organized the Environmental Control Systems class that we’ll all be teaching next term. Simultaneous to my retreat, the Vermont crew got together in Leyden and partied. A shame to miss it, but duty, and tuition, health insurance, a stipend, and professional growth all called.

So, I’m not sure that any of that information will be particularly exciting to my readers, who must be clamoring for something fantastic after such a long hiatus. But sometimes life is pretty much just surviving the wicked cough you’ve got.

I’m heading back to Florida in a couple of days. Perhaps life will be exciting there – I’m really looking forward to seeing the fam, especially the bro. I’ll try to get some excellent pictures. Speaking of which, I put a couple more photos of Finland on Flickr, and I’ll continue doing that over break; also, when I get my scans stitched together, I’ll put up my final boards from this term. Finally, If you’re feeling very generous towards me, please refer to my updated wish list page. There are many ways you can demonstrate your love for me materially, and I encourage you to do so.

Facebooked

I finally gave up and joined Facebook.

I’ve been holding out for years, but since the people that I see every day in studio kept asking me, I could no longer ignore it. I’ll admit, it’s a lot of fun, and it reminds me of just how many people I’ve met in my life.

Talking to a friend recently about all of the relationship upsets that we’ve heard about this term, I couldn’t help but muse that the proliferation of people that we’ve met in our lives makes steady relationships much more difficult for our generation. We know a lot of wonderful people – we also know a lot of people that can’t live up to our composite of all of the wonderful people that we’ve met. We’re moving around all the time, which makes it difficult for us to comprehend being set in one relationship with one person (even if that doesn’t necessarily mean in one place, it implies it).

So, just musing on the fact that I’ve taken a small step away from being here. I’m also, now, being everywhere, with everybody, at least until I get tired of it.

BTW, Studio is pretty intense, in part because everyone else is kind of freaking out about what a short time we have left. I’m just slogging along, continuing to design. Haven’t decided what media I’ll use, but I’m imagining I’ll be hand drawing, perhaps in pencil (I’d like to use some color, so I’m not sure that I won’t switch to ink; but I did some more tone rendered drawings earlier in the semester, and I really liked the way they looked).

No matter the intensity of studio, I’m planning to take Thursday off and relax with friends.

Here’s an image from this summer - it’s the drawing Michael and I did of the smoke sauna in Kiljava.

Search for Meaning

One of many. We had our midterm on Monday (actually, we have a second one coming up in a week and a half – its nice to be able to re-scheme and have it reviewed before the final, so that you have some time to develop more fully). I got some not particularly clear feedback, but the gist is that I’m thinking about fairly drastic changes to my project. The project is a wetlands education complex on the western edge of Eugene. You can see actual information about this place and project here.

My basic scheme will remain the same, I think. I’m running site circulation up from the bike path on the southern edge of the site, through my linear hilltop grouping of buildings, and splitting it between an observation “telescope” and back down to the bike path. Three main buildings interface with the path – a staff building to house the office functions of the the various wetlands protection partners; a community building to provide a meeting place for citizens involved with the wetlands; and an education building where the school programs they currently run will have a permanent home.

Really, what’s in question is the making of the buildings. In my presentation, because of how schematic it was, it appeared that structure would run through exterior walls, and activities would take place within little boxes all related to each other through a single, thin interface.

My concepts, though, are much more about layering, about a switch-rich architecture. I’m not sure how to express this, though. In my desk crit today, Don and I discussed the method of creating simple superstructures with boxes inside that shape the overall shape and offer convenient ways to define specific rooms within larger, catchall spaces. However, there’s something about this method that I’m resisting. In some ways, it just seems too simplistic. It doesn’t have very much more depth to it than a more traditional room arrangement – although I guess that has in part to do with how the boxes themselves are constructed.

One of the other thoughts is to use the somewhat complex roof structures that I was beginning to develop and bring them to a more tight configuration that spoke clearly to the spaces they defined. There’s something I’m a bit uncomfortable about with the potential for not just exposing the primary structure, but making it do acrobatics. I don’t think this place wants to be ostentatious. I think this method has a lot of promise, since I’m not sure that it necessarily becomes ostentatious…

Thirdly, there’s an idea that I’m floating around with that I thought might be a bit Fay Jones, but when I looked at his work, it didn’t seem particularly relevant. Its a more delicate use of structure – a bit more on the stick framing side of things – but without the sheet-rock. I looked again at the Viikki Church and I think that its a good start. This is what I’ve been trying to get at with the Radical Tectonics, but I’m really not quite sure what I’m aiming at. The Atlantic Center for the Arts has some of it…and the building I took my original inspiration from, the Institute for Forestry and Nature Research in the Netherlands also has it in certain ways. I guess I’m trying to find something with a bit more depth to the wall than the first and a bit more simplicity than the second.

Well, I’ve fuffed on, and I’m not sure any of it is particularly clear. What it comes down to, though, is that I’m ascribing this great meaning to this doubling and tripling of the walls. That I want some kind of depth to these spaces, but I don’t know how or why.

Costume

I got one today! Sasha and I went to Value Village and found lots of fun clothes – from one-piece denim jumpsuits (now Sarah’s costume) to windbreaker outfits, to ski bibs (now Sasha’s costume). My costume is a red and blue armless full-length wetsuit. I am now on the hunt for a good mask and snorkel…

Hey, I also put 8 pictures up on Flickr from this summer. Check them out.

Return to the prosaic

I’ve been told that I’ve been missed by my vast readership, so here I am, trying to write over the past month and a half.

I’ve gone for two runs since I returned to the US on the 6th, and I’ve started a large book, and generally kept a low profile, since I needed a vacation from my vacation.

I finished the term, and was glad to have that done. My studio partners and I submitted our project to the competition, despite many last minute revisions and extreme difficulty with the printer. The moment of truth came when I was helping Michael cut his presentation boards during the long wait for my boards to print. I held the ruler as he cut – and in his sleep deprived state, slipped and sliced my finger. The cut opened up the floodgates, and everything that seemed wrong about our studio, and about our trip to Finland, and really, about the world, just hit me and, in typical fashion, I lost it. Then, eventually, I stopped crying, and we sent off our project, which did print in the end; we made a lovely model; we had a fun send-off party; the cut, which wasn’t actually very deep, healed; and I think that after all, the experience let me get over some of the silly things that weren’t ideal about our trip and enjoy just how worthwhile and once-in-a-lifetime it was.

We set out after Finland on our travels. We visited Stockholm, Copenhagen, Bergen, Oslo, and the Lofoten Islands, with boat, plane, train, and automobile. The overwhelming feeling was that everything was much more expensive than we’d expected. We saw many fascinating things, despite our attempts to economize, and of course, many pictures will eventually make their way to Flickr. Highlights include going to the Louisiana Museum in Denmark and pretty much all of the Lofoten Islands/Norway.

If there is some sort of overwhelming reply of curiousity about the trip, I can add more details, but since I think I can pretty much count on sharing stories personally with most of my vast readership, I’ll leave it at that. These experiences will undoubtedly surface in the future as they’re now a part of me.

Three more overall highlights from the academic portion of the trip – the lecture series we had was wonderful; our model of the sauna we measured at Kiljava was archived in Finland’s Museum of Architecture; I learned AutoCAD in two days thanks to my studio partners.

So, now that I’ve vaguely covered that vast and interesting part of my life, I’m once again on solid ground to keep reporting to you the prosaic and mundane…thank goodness.